Thursday, May 3, 2012

Akai EIE Pro 24-bit Electromusic Interface Expander

Akai EIE Pro 24-bit Electromusic Interface Expander Review



Akai EIE Pro 24-bit Electromusic Interface Expander Feature

  • Record and playback 24-bit, 2-channel audio via USB
  • Four XLR-1/4" combo jacks with phantom power and gain control
  • Two classic, high-quality VU level meters with switchable sources
  • Plug-and-play operation, no driver installation required
  • Three additional USB ports for connecting other devices through to a computer
  • Four nickel-plated 1/4" outputs for two separate monitoring systems

Professional Audio/MIDI Interface with USB 2.0 Hub.

The EIE Pro is a tabletop USB 2.0 audio interface perfectly tailored for your project and portable studio setups. This four-in, four-out (4x4) device features low latency ASIO drivers and enables you to record up to 24-bit resolution and sample rates of 44.1 kHz/48 kHz/88.2 kHz/96 kHz into virtually any DAW, recording or performance software on Mac and PC-based systems. The EIE Pro also houses three convenient USB inputs, in addition to its main USB 2.0 port, enabling you to connect controllers, hard drives or any other peripheral when native ports on a computer may be limited. The compact recording interface contains high-quality components including nickel-plated input jacks, analog-style VU meters and a rugged aluminum casing for a powerful, professional, portable audio solution.

Each channel of the EIE Pro has a XLR-¼-inches combo jack, dedicated sturdy, gain-pots and Mic/Line/Guitar switches. The EIE Pro features four discrete-design preamplifiers with 48V phantom power for use with virtually any microphone. Individual ¼-inches Nickel-plated jacks found on the back of EIE Pro provide you with channel inserts for processing audio signals externally. You can monitor sessions on multiple sets of studio monitors using the four ¼-inches balanced outputs, which are also Nickel-plated. Both pairs of outputs can be monitored visually with the high-quality, analog VU meters providing classic features with modern style. For remote tracking and alternative playback, the EIE Pro has a 1/4-inches TRS headphone output. High quality analog-to-digital and digital-to-analog converters ensure that every detail of your session or performance gets captured and played back faithfully.

The EIE Pro sends and receives four audio channels on a single USB cable for simple, universal interface to a computer. The three additional USB ports allow the EIE Pro to function as a hub as well, bridging other MIDI controllers and hard-drives to the computer. The EIE Pro features traditional MIDI In and Out jacks for playing and controlling software with keyboard and pad controllers, workstations, and other MIDI-compatible instruments.


Sunday, April 22, 2012

Rode NT1A Anniversary Vocal Condenser Microphone Package

Rode NT1A Anniversary Vocal Condenser Microphone Package Review



Rode NT1A Anniversary Vocal Condenser Microphone Package Feature

  • Large 1 inch capsule with gold plated diaphragm
  • Cardioid polar pattern
  • Self Noise of only 5 dB (A)
  • Ultra low noise, transformerless surface mount circuitry
  • Wide dynamic range
The NT1A Anniversary Model is a complete redesign of the now legendary NT1 classic studio microphone. From the new nickel plated body to the state of the art surface mount electronic circuitry, the NT1A will leave you asking "how can RODE offer a microphone that sounds this good, for so little money"? The RØDE NT1A, Winner of the Electronic Musician 2004 Editor's Choice Award and the world's quietest studio condenser microphone. This redesigned version of RØDE's classic NT1 has only 5 dBA of self-noise. The NT1A Anniversary model includes a premium shockmount with integrated pop filter, high quality 6m (20’) XLR cable, microphone dust cover and even a bonus instructional DVD. Presented by RODE founder and company president, Peter Freedman, the NT1A Studio Secrets DVD features a range of tips and techniques to help NT1A owners get the most from their new microphone. The NT1A has become an industry standard providing the warmth, extended dynamic range, clarity and high SPL capability usually only found with some of the most expensive microphones. Finished in durable satin nickel, the NT1A is supplied with a shock mount, pop filter, mic cable and pouch.


Monday, April 16, 2012

TASCAM US-200 2-in/4-out USB 2.0 Audio Interface

TASCAM US-200 2-in/4-out USB 2.0 Audio Interface Review



TASCAM US-200 2-in/4-out USB 2.0 Audio Interface Feature

  • 24-bit/96kHz audio resolution
  • Two microphone preamps with phantom power, XLR/TRS combo jacks
  • Four unbalanced RCA outputs
  • MIDI input and output
  • Direct Monitor function allows zero-latency monitoring of the input
TASCAM’s US-200 is a 2-in/4-out USB 2.0 Audio/MIDI Interface for Mac and Windows computers, housed in a lightweight, portable chassis. Audio can be recorded at up to 96kHz/24-bit resolution. Two high-quality XLR microphone inputs provide phantom power for condenser microphones. Four unbalanced RCA outputs are available on the rear panel, as well as a MIDI input and output for synths and drum machines. A direct monitoring path is available on the US-200, for monitoring without the delay of going through computer software. The US-200 is buss-powered, meaning no additional power supply is required. A copy of Cubase LE5 is included – the latest version of Steinberg’s 48-track workstation software. VST plug-in support, automated mixing and MIDI tracks allow you to craft large productions without adding any other software. If you want to use your own software, the US-200 supports most Mac and Windows software such as Logic Pro, Live, Nuendo, Digital Performer, Fruity Loops, and Pro Tools 9. Whether you’re just starting out or simply need a great-sounding portable interface, check out the TASCAM US-200.


Friday, April 6, 2012

Gator G-TABLETMIX-BAG Tablet and Mixer Bag

Gator G-TABLETMIX-BAG Tablet and Mixer Bag Review



Gator G-TABLETMIX-BAG Tablet and Mixer Bag Feature

  • iPad storage pocket with clear vinyl cover allows use of touch screen without removal
  • Large padded compartment for small format mixer or docking station
  • (2) Zippered side pockets to hold microphone, cables, &power supply
  • Messenger flap includes zippered access to iPad pocket
  • EVA soft grip carry handle &adjustable shoulder strap
Gator Case's new Tablet/Mix bag provides an all-in-one carry solution for the new wave of iPad presenters, designers, musicians, and enthusiasts. Apple's iPad has proven to be an incredibly versatile tool with a world of powerful downloadable applications emerging exponentially. The stylish Tablet/Mix bag provides rugged protection for your iPad or similar sized tablets and small format mixers or docking stations. The new Tablet/Mix bag is a messenger style carry bag made of a lightweight nylon material. A fitted sleeve holds an iPad and the see through cover allows quick access and full use of the iPad without removal. Zippered access also allows you to remove the iPad without opening the outside flap. The larger main compartment features a thick padding and is designed to hold small compact mixers or docking stations. Large zippered side pockets allow storage for microphone, power supply, cables, and more. Lastly, the bag features an EVA soft grip handle and adjustable shoulder strap. Gator Cases, the leading case manufacturer with over 30 years experience in the Musical Instrument/Pro Audio industry, is focused on designing, manufacturing, and selling innovative solution oriented products.


Sunday, April 1, 2012

Golden Age Project Pre73 MKII Microphone Preamp

Golden Age Project Pre73 MKII Microphone Preamp Review



Golden Age Project Pre73 MKII Microphone Preamp Feature

  • Classic warm, punch, sweet sound
  • One-channel mic preamp
A single channel low-cost preamp with all the features and components needed for high quality audio recording, the Golden Age Project's Pre73 MKII Microphone and Line Preamp utilizes a wholly discrete signal path by way of three transformers that have been separated for an independent balanced microphone input, line input and output. Designed to match Neve 1073 pre/eq module, the circuitry in the Pre73 MKII Preamp has a warm and punchy character with a sweet musical tone reminiscent of that classic, versatile sound perfect for any genre of music. Golden Age Project Pre73 MKII Microphone Preamp Features Lower noise floor and Greater Dynamic Range than the Original Pre73 Preamp Pre73 MKII adds a rear-panel insert for EQ and dynamics processing Vintage Style electronics with no integrated circuits in the signal path Switchable phantom power and absolute phase High-impedance instrument input for connecting sound modules, electric guitar or bass A simple but effective 4-step LED output level meter The output level control offers: Fine gain adjustments Overloading the main gain stage(s) for more character Lowering the signal to a suitable level before the output stage Combo XLR/TRS input jacks and separate output XLR and TRS jacks Includes high power external power supply A must have for your studio, the Golden Age Project Pre 73 MKII Microphone and Line Preamp offers a max gain up to 80 dB for mics and a gain range switchable between -20 to + 10 dB for line input sound sources. The Pre73 MKII Preamp also offers a high-impedance instrument input making this Golden Age Project Microphone and Line Preamp a perfect solution for the majority of signal sources. Pre73 MKII Uses Connect to a passive ribbon mic, a workstation synthesizer, sound module or an electric instrument including guitar or bass, the Golden Age Project Pre73 MKII microphone input is switchable from 300 to 1200 ohms to influence the tone of most microphones whether Dynamic or condenser. The Pre73 MKII also o


Wednesday, March 28, 2012

Roland QuadCapture Audio Interface

Roland QuadCapture Audio Interface Review



Roland QuadCapture Audio Interface Feature

  • Graphical Control Panel software provides fast, intuitive control of the VS Preamps
  • Phantom power, ground lift, and Hi-Z switches One-click AUTO-SENS function intelligently sets optimal input levels for the preamps Extreme low-latency VS Streaming driver
The Quad-Capture by Roland sets a new standard for interfaces in its class, giving you incredible 24-bit/192kHz audio quality in a USB 2.0 audio interface! If you demand superb audio quality from a portable interface built with on-the-go convenience in mind, then the Quad-Capture is the ideal companion to your laptop Mac or PC. Two vibrant VS Preamps let you capture pro-studio-quality sound right from the source, while the Auto-Sens function (activated right from the front panel) sets your gain levels automatically for optimum sound without the risk of clipping. And because it comes bundled with Cakewalk Sonar X1 LE you'll be producing tracks in no time!


Sunday, March 25, 2012

Focusrite OctoPre ADAT Card Lightpipe Format Optional ADAT-only 8-Channel ADC

Focusrite OctoPre ADAT Card Lightpipe Format Optional ADAT-only 8-Channel ADC Review



Focusrite OctoPre ADAT Card Lightpipe Format Optional ADAT-only 8-Channel ADC Feature

  • Integral closed environment allows a shorter record path to digital with no unnecessary analogue connections out of the Focusrite box to the input of the recording equipment.
  • With two ADAT ports provided, you can choose to run at 96kHz and have four channels on each port, or run at 44.1 / 48 kHz and each port mirrors the full eight channels.
  • 24-bit and 128x over-sampled, handling sample rates of up to 96 kHz, but can dither down to 20 or 16 bit.
  • All frequency settings and bit rates can be altered from the front fascia, with an ADC lock LED to show when word clock is synchronised.
  • An external Wordclock input is also provided (BNC connector).
  • Integral closed environment allows a shorter record path to digital with no unnecessary analogue connections out of the Focusrite box
  • With two ADAT ports provided, you can choose to run at 96kHz and have four channels on each port, or run at 44.1 / 48 kHz
  • Integral closed environment allows a shorter record path to digital
  • With two ADAT ports provided, you can choose to run at 96kHz and have four channels on each port
  • 24-bit and 128x over-sampled, handling sample rates of up to 96 kHz, but can dither down to 20 or 16 bit
  • All frequency settings and bit rates can be altered from the front fascia, with an ADC lock LED to show when word clock is synchronised
  • An external Wordclock input is also provided (BNC connector)
The ADAT-only spec optional ADC for OctoPre offers just one output format; ADAT. With two ADAT ports provided, you can choose to run at 96kHz and have four channels on each port, or run at 44.1 / 48 kHz and each port mirrors the full eight channels. Up to 24-bit/96kHz resolution and sampling rate. S/PDIF output for audio transfer. Internal installation reduces signal path noise.


Friday, March 23, 2012

Octopre MkII Eight Channel Mic Preamp

Octopre MkII Eight Channel Mic Preamp Review



Octopre MkII Eight Channel Mic Preamp Feature

  • Eight High Quality Award-winning Focusrite Pre-amps
  • Built-in eight channel 24-bit / 96 kHz digital output
  • Two quality Hi-Z instrument inputs
  • 5 LED input metering on every channel w/10dB Pads on every channel
  • Includes USB Cable & Kensington Lock
With eight channels of Focusrite pre-amplification and a built-in 24-bit / 96 kHz ADAT output, OctoPre MkII is Focusrite's powerful input upgrade for your Pro Tools system, or any digital audio workstation. It's also a great expansion for any analogue or digital console, or hard disk recorder.


Wednesday, March 21, 2012

Focusrite Control 2802 Recording Console (Standard)

Focusrite Control 2802 Recording Console (Standard) Review



A small-format analog recording console and a DAW control surface in one.


Sunday, March 18, 2012

Focusrite Octopre Mkii 8 Channel Mic Preamp

Focusrite Octopre Mkii 8 Channel Mic Preamp Review



Focusrite OctoPre MkII 8 Channel Mic Preamp


Saturday, March 17, 2012

Focusrite Saffire Pro 40 Firewire Interface

Focusrite Saffire Pro 40 Firewire Interface Review



Focusrite Saffire Pro 40 FireWire Interface


Tuesday, March 13, 2012

Focusrite Saffire Pro 40 Recording Package

Focusrite Saffire Pro 40 Recording Package Review



Focusrite Saffire Pro 40 Recording Package


Tuesday, March 6, 2012

Roland Quad-Capture 4-channe 24-bit/192kHzl USB Audio/MIDI Interface

Roland Quad-Capture 4-channe 24-bit/192kHzl USB Audio/MIDI Interface Review



Roland Quad-Capture 4-channe 24-bit/192kHzl USB Audio/MIDI Interface Feature

  • 2 x premium VS preamps (XLR combo)
  • Auto-Sens function intelligently sets optimal input levels for both preamps
  • Extremely stable low-latency VS Streaming driver
  • Supports most major DAW platforms on Mac or PC, including OSX 10.6 and Windows 7, through ASIO 2.0/WDM (Windows) and Core Audio (Mac) drivers
  • Includes Cakewalk Sonar X1 LE for a complete music production toolkit
The Quad-Capture by Roland sets a new standard for interfaces in its class, giving you incredible 24-bit/192kHz audio quality in a USB 2.0 audio interface! If you demand superb audio quality from a portable interface built with on-the-go convenience in mind, then the Quad-Capture is the ideal companion to your laptop Mac or PC. Two vibrant VS Preamps let you capture pro-studio-quality sound right from the source, while the Auto-Sens function (activated right from the front panel) sets your gain levels automatically for optimum sound without the risk of clipping. And because it comes bundled with Cakewalk Sonar X1 LE you'll be producing tracks in no time!


Friday, March 2, 2012

Focusrite Saffire USB Audio MIDI Interface w Mic Headphones

Focusrite Saffire USB Audio MIDI Interface w Mic Headphones Review



Focusrite Saffire USB Audio MIDI Interface w Mic Headphones Feature

  • Monitor either the main mix or cue mix via headpho
  • Blend your monitor mix between what you're recordi
  • Saffire 6 USB is powered via USB, with no need for
  • No need for a separate DI box, because the Saffire
  • A front panel volume dial provides immediate contr
This Package Contains One Focu-saffire6usb; One AKGAcoustics-P3S; One Tascam-HP-VT1; One 20 Foot XLR to XLR Microphone Cable


Wednesday, February 29, 2012

Focusrite Saffire USB Interface Vocal Recording System

Focusrite Saffire USB Interface Vocal Recording System Review



Focusrite Saffire USB Interface Vocal Recording System Feature

  • Monitor either the main mix or cue mix via headpho
  • Blend your monitor mix between what you're recordi
  • Saffire 6 USB is powered via USB, with no need for
  • No need for a separate DI box, because the Saffire
  • A front panel volume dial provides immediate contr
This Package Contains One Focu-saffire6usb; One Samson CO1 Microphone SR850 Headphones Bundle; One 20 Foot XLR to XLR Microphone Cable


Tuesday, February 28, 2012

Focusrite ISA 428 MKII 4-Channel Microphone Preamp

Focusrite ISA 428 MKII 4-Channel Microphone Preamp Review



Focusrite ISA 428 MKII 4-Channel Microphone Preamp Feature

  • Phantom power available on every channel
  • Trim control allows 20dB of extra gain with fine adjustment
  • Phase reverse buttons help to correct phase issues with microphones or cables
  • Optional A-D converters easily synchronize to external Wordclock
The ISA428 MkII from Focusrite is a four-channel microphone preamp featuring Focusrites transformer-based preamps. With selectable input impedance, direct instrument inputs and an optional eight channels of high-quality analog to digital conversion,


Friday, February 24, 2012

Focusrite Saffire Pro40 Firewire Interface Recording System

Focusrite Saffire Pro40 Firewire Interface Recording System Review



Focusrite Saffire Pro40 Firewire Interface Recording System Feature

  • 20 input, 20 output FireWire interface with 8 Focu
  • 10 balanced analog outputs
  • Phantom power on all 8 microphone inputs, switchab
  • Coaxial S/PDIF on RCA connectors along with 8 chan
  • 2 independent headphone busses each with its own l
This Package Contains One Focusrite Saffire Pro 40 Recording Interface PreAmp ; One Samson CO1 Microphone SR850 Headphones Bundle; Four 20 Foot XLR to XLR Microphone Cable; Two Hosa 15 Foot TRS to TRS Balanced Cable; Two Hosa Balanced Interconnect 1/4 inch TRS to XLR Male Cable Adapter; One Hosa 6 Foot S/PDIF Coax Digital Audio Cable; One Hosa 6 Foot ADAT Cable sync and Control cable Fiber Optic Toslink to Same